2.07.2010

One of the Very Best




What is the measure of a man? Bob Matthews was the gold standard. He wasn't just a good guy, he was the good guy. He was the man you want your sons to become, the lawyer you hire when everything is on the line, the only person you trust to take your husband flying.

His plane fell out of the sky yesterday, a burning ball that sailed slowly to the ground, held aloft by a red and white parachute. How many of us, watching it fall, thought, "It couldn't be Bob." More than most, he seemed invincible. We've lost a great repository of honor and integrity, a pillar of many societies, a modern-day hero who went quietly about his business, raising up everyone around him. The world is poorer for his absence.




Photograph: Faegre & Benson LLP

1.08.2010

Neither Short Nor Terribly Sweet

Parenting is full of these heartbreaking moments when your child utters something so sweet and unwittingly profound that it brings tears to your eyes, shortly before running off to smear poop all over the bathroom. So there you are, feeling weepy about his proclamation that "when he's an adult, he'll still want to live with you," and in the next moment you are cursing his curly head as you douse the bathroom in disinfectant, bleaching your incredibly sexy sweatpants in the process. Such was the scene in our house last night.

I just finished reading Anne Lamott's memoir about the first year of parenthood, Operating Instructions. It is a very conversational book that must have been written as she went, so full is it of tiny little details no one remembers because they were part of the sleep-deprived beginnings of a child's life. One of the things she describes with dead-on honesty is the way your heart expands when you have your first child, when you become so overcome with a brand of love previously unknown to you that you can scarcely breathe. And at the same time, you are suddenly so attuned to all the grief and misery in the world, because now you've got this person whom you need to protect from all of it (even though that person will one day smear poop in your bathroom). And at the SAME time, you have your moments when you sort of hate your baby because the damn thing won't let you sleep.

For some reason, my new-mother-blues were all about the Holocaust. During Oliver's first few months, we spent most of our time in the hideous La-z-boy we bought for his nursery (which, in a vain attempt to improve, we had upholstered in fabric that literally cost three times as much as the chair itself). The chair was next to a tall window that let in just the right kind of light for reading but not too much for sleeping, and I would rock and read while Oliver nursed or slept in my arms. One of the books I read in that chair was called A Thread of Grace, by Mary Doria Russell, about Jewish refugees from France hiding out in northern Italy during the Holocaust. Incidentally, I once recommended this book to a friend, who later called to tell me that she couldn't find A THREAT of Grace anywhere. This struck me as hilarious. A story about grace being foisted upon the decidedly, purposefully, un-gracious. Anyhoo.

The book recounts the refugees' passage from France into Italy, over cold mountaintops, on foot. I was consumed by this image of women carrying little newborns. I spent a significant amount of time trying to gauge whether I would have made it, what I would have carried, how I would have kept Oliver quiet when we were hiding from SS patrols and whatnot. We have friends who live in San Francisco who have an elaborate earthquake escape plan. In those first few months, I found myself concocting all sorts of escape plans - what to do in the event of fire, flood, and even the unlikely Nazi invasion.

That sort of hyper-insane terror of the world and all its perils lessens over time, mostly because as your baby becomes mobile, real consideration of all the dangers that lie outside your door would render you a rocking crazy person, catatonic with fear any time you venture anywhere with him. And your extreme irritation (somewhat dangerous itself) lessens as you get more sleep, though the fury can be resurrected from time to time by poop smearing and other unholy incidents.

One thing that never shrinks, though, is that overwhelming sense of love you feel for these funny little beings you create. One of my favorite moments of the day comes at the end, when I sneak into their room after they finally collapse into sleep and tuck them in. I lean over their heads and become so intoxicated by their sugary scent that it brings a stinging sensation to my nose, every time. Even after a night like last night.

1.06.2010

Tell all the Truth but tell it slant

The second essay in the textbook for my new writing class is by Judith Oritz Cofer. She explains the way she teaches students to write prose, which is to start with poetry. She quotes Emily Dickinson, "tell all the Truth but tell it slant," and says that poetry is a device to find the "Truth" that is worth writing about, and to discover "a new slant for an old story." Of course, her exercise is to write a short poem about a real-life event that interests you deeply.

I've never understood poetry, and maybe that is because I've never tried to write it. Brevity is hard, and good poetry stays with you because it is short enough and powerful enough to be memorable, no small feat.

This won't be that.

Double Occupancy

The tan woman in the next bed talks about her tennis game
When will it come back?
Her voice is raspy, hair too long and stringy
for her age.

When she left they took her bed away and I thought our luck was turning.
But they wheeled in a bigger bed.
You knew what it meant: “That’s for fat people.”
And she was. Really fat.
She watched television all night long, blue meaningless light that made the room feel empty.

The surgeons came to visit, but yours did not stay long.
He was no saviour now and he did not like the reminder.
I saw him lifting weights in the gym once, years later.
He stared at himself in the mirror.

The oncologist came, only for you.
In one of the world’s best hospitals,
In one of the world’s richest countries,
You shared a room with recovering tennis elbows and laproscopic bands.

You cried only twice (that I saw).
Once when you woke up.
And once the morning they had to help you back into bed.
"I'm not having a very good day," you said.
Even though it was summer outside.

1.05.2010

That's Why




In a few weeks, I will begin my third writing class since last spring's epiphany that if I wanted to be a writer, I had better get around to writing something. Did you ever see the (apparently now unavailable) Someecard that pictured a man with a briefcase alongside the phrase "I'm an angry writer type who hasn't written shit"? That was me.

Now I can proudly say that I HAVE written . . . shit. But at least it's writing. Honest-to-goodness words on a page strung together to try to make a point.

The first two classes I took were fiction short story classes through the miraculous Lighthouse Writers Workshop. This time I'm staying closer to home and taking a creative non-fiction class through CU - Boulder. I won't miss the weeknight drives to Denver, sluggish in the best of circumstances.

Since I spilled a beer all over my computer last weekend and haven't had it at my disposal the last few days, I've been doing a bit more reading than usual. First I quietly reclaimed the book I bought my husband for Christmas and have spent the last few days utterly immersed in the uncommon life and outrageous death of Pat Tillman. If you want to read a story that will first renew your faith in superheros and then break your heart, pick it up. There is little sense in trying to describe why this book is so great; it is written by Jon Krakauer and if you've read anything of his, you know of his ability to weave together history and philosophy and freak events to tell a true story that you won't believe even though you saw the headlines yourself. The story is more than great, though - it is important. I keep starting sentences to explain why but I cannot do it justice. Read it. Please.

Now I'm starting the textbook for the next class. It's a collection of essays by nonfiction writers which each end with an exercise or two. The first essay asks the reader to answer the question, why do you write?

The answer to that question is so deeply personal as to be almost unanswerable, for me at least. But having it asked has caused me to take note of the things that stir the creative impulse. And in reading the excerpts from Pat Tillman's journals that are included in Krakauer's book, I recognized at least one of the reasons I like to write, which is that I like a good conversation, even with myself. Tillman was good at taking stock of his life, and left his own testimony to it in the process. I like the exercise of summing up, casting things into a context that makes sense to me. Life is not just a series of random events, even though it is always unpredictable. There is a discernable arc to it, dictated by a person's passions and interests and circumstance. I like to take note of these things, so I can keep myself trending in the direction I want to head. Even though his life was cut short, Tillman's writing reveals that it was lived consciously, on his own terms, to great glory indeed. That seems like a goal worth writing towards.

1.01.2010



Resolved:

to make it a year
for the record books.



Happy 2010.

12.28.2009

Ghost Sledding

He brought me out into the hall (I could have sworn it was haunted) and told me something that I didn't know that I wanted to hear: that there was nothing that I could do to save you; the choir's gonna sing, and this thing is going to kill you.
- the Antlers, "Two"

I want a book that acknowledges that life goes on but death goes on, too, that a person who is dead is a long, long story.
- Elizabeth McCracken, An Exact Replica of a Figment of My Imagination

It's not just the holidays that make me obsess (is that the word for this lingering, always-present if mostly dull longing?) over my mother's absence, but all this family time does invariably strike a chord with long-ago Christmases. These holidays are wholly different from anything I've ever known: the creation of magic is different from being cast in its spell. It's hard to get caught up in the former without feeling just a little bit of the latter, though. So when I see old pictures that so clearly reflect that same wonder I saw in the faces of last Friday morning, I am momentarily transported back to a snowy lane when everything seemed possible and safe. A wintertime landscape guarded by a grandfather in a woolen coat.

These days, my children believe all of what I tell them, unless I do it in my most sing-song, teasing kind of a voice. I have to choose my words carefully when they ask about our dog, one year dead, and the mythical Grandma Chloe, who overlapped with them in only the most passing fashion. Long enough to gaze at a fetal silhouette and correctly predict he would look like me; too briefly to graze her lips across even one round, peach-fuzzed head.

After imparting to them the simplest and most honest answers I can, they inevitably come to their own conclusions. It pains me not to correct them when they sigh and say that Grandma Chloe, like Ruby, is not ever coming back. But I try to balance it out by talking about her as much as I can bear it, so that her story will go on. The pictures tell it best, and today they talked about the time I went sledding with Grandma Chloe as if it happened last week. It's not the same as coming back, not by a longshot. But small people talked excitedly about her this morning; she was a subject, associated with action.

Four years gone and she still goes sledding.

12.26.2009

Thirty Acres: December 26th, 1976

From Thirty Acres (26 Dec 1976)
From Thirty Acres (26 Dec 1976)
From Thirty Acres (26 Dec 1976)
From Thirty Acres (26 Dec 1976)
From Thirty Acres (26 Dec 1976)
From Thirty Acres (26 Dec 1976)